Tudor

Displacement or refraction or what you want to call it tends to come with some depth issues, how would a couple of these on a shelf look?

I think typically people who do a glass effect do a transparent shader with a strong specular reflection but make sure the amount of transparency doesn't apply to the specular highlights (multiply or whatever) and there is alsoe the case for doing a fresnel typ deal with a cube map, that also doesn't really get as transparent as the main texture. Now if this is doable in this engine I have no clue, but I know typically refraction is a real pain to work with, and a lot of times isn't as necessary as one might imagine.

Attempted this one four times over now without beating it, I do recognise though that it is very well made, and to be fair I have never been especially good at clicking things the right time and quickly slipping by people-business, but it sure gives a thrill! I'd have one complaint with regards to the structure of it, with the tools you are given at the start, it's difficult to plan how and when to use them as it isn't immediately clear how very large this mission is, or what kind of situation you can expect to come across. I used the gas arrow on three guards on the first floor and also wasted my water arrows before I knew about the very tricked out guards on floor two the first time I played. The scaling of difficulty as you approach the finer areas in the building is a very good tool of communicating how you are getting deeper into where you shouldn't be. There is great use of carried torches and areas without blind spots, and you really need to think and use all you can get your hands on to get through them, either that or be very good at using a sword! I gave the mission good-to-excellent ratings, even though I can't seem to finish it, and I hope that tells you just how impressed I am!

This sounds like an aspect ratio problem I've been having, The world isn't completely insane after the latest Catalyst updates, but it looks very squeezed together, almost like the screen is supposed to be many times larger! This only applies to the 3D world, the light gem is fine. Also it only applies at certain resolutions, sadly those are the same resolutions I can run without the game sticking a couple centimetres outside the sides of the screen. My aspect Ratio is 16:9 and it is set to that in game, so I don't understand what's wrong. I'd gladly record a video of it if I had enough space for that. I don't have a single gigabyte free at the moment.

I got an update for Catalyst today, does anyone know if there's something new I should try to get this to work, because I don't know if I simply am super retarded or what, but I just can't figure this shit out.

Says in Windows I have the 8.902.0.0 Drivers for my Radeon HD6790 (really good card I might add, my friends saved up for it as a b-day gift since I was stuck on 6 years old parts.)

Putting it down to performance doesn't help for me, still reversed screen with post processing, and reversed sky without.

I thought that was made by Dram back in the days. It's cool map, you should finish it.

I'd totally be in on this if I had the time to learn DR, I have many years of mapping experience for other things, so I may come on the team later on when I have more free time.

My computer begs for mercy just looking at the detail in this map, but god damn, I will play through it!

I'm not sure if this thing has been mentioned, but couldn't you use TreeD? http://www.frecle.net/index.php?show=treed.about

I still am not really getting this editor, but I'm slowly getting there, I just learned how to make non hovering viewports, and I made my first red prism!

I can not imagine either why the pointed single vertex could be problematic. Will the shadow be inverted because it's too slim or what could possibly happen? (not that that should be able to happen) The idea with double rings was a thing I was going to suggest earlier, it will probably look just as good as on the wall lamp, which is really good.

You can't not like avocados man. Come on!