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Done. I was enjoying this mission. I hope this isn't a new thing with the Linux version of Dark Mod. Sound has been problematic for some time now. Linux Mint and Manjaro are the only distros that give me working sound as it is. So far this is the only map that crashes outright.

For a limited time and till stock lasts Humble Bundle is giving away a free Steam key for Endless Space (a 4 X strategy game). This is for one more day so act fast if this is your kind of game :).

@Bienie start with writing down the names of your 2 levers + the machine as well as the coordinates of where the 2nd lever needs to be on the machine. Give the machine the spawnarg "frobable" "1" and then at the top of DR's window select Entity -> Stim/Response -> switch to Response tab -> add a response to frob -> right-click in the response effects box & click add, right-click edit the new effect, repeat for these 3 effects: 1) "teleport (set origin)" the second lever so that it ends up on the machine 2) "set frobable" "_SELF" and leave frobability unticked so that the machine is no longer frobable 3) "run script" "remove_lever" for this simple script to remove the first lever from the inventory (technically the above 2 steps could be in this script too, but just to show what S/R can do) void remove_lever() { $player1.replaceInvItem($lever,$null_entity); } To make this response only occur when the player has picked up the first lever, right-click on "frob" in the left of the machine's Response tab and deactivate it. Now use the above steps to give the first lever the effect "Activate Response" "Frob" on the machine.

VanishedOne

Originally performed by The Call in the 80s, Celldweller's takes the emotionally gripping track and modernizes it as an alternative/shoegaze epic in homage of original songwriter, Michael Been, who passed away in 2010. "I really loved “Into the Woods” by The Call. I thought Michael Been was a brilliant songwriter and lyricist but their sound was generally a little more traditional than I liked. I wanted to take this lyrically powerful song and produce it in my style which fit perfectly within the vibe I wanted on this album." - Klayton (Celldweller) Offworld, Celldweller's fourth vocal-based studio album departs from the project's signature sound of aggressive guitars, blasting beats and ass-kicking intensity and delivers a journey of sentimental feels and emotionally gripping tracks, showcasing the intimate song-writing side of project mastermind, Klayton. The album's 11 tracks range from the soul searching "How Little I Must Know," to the modern shoegazer "Echoes," the somber a cappella "Mother's Arms," to the acoustic guitar driven "The Great Divide," and the heavy, yet atmospheric vibe of "Last Night on Earth." The album begins and ends with the title track & reprise of "Offworld," which gives the album a narrative backdrop as a sci-fi adventure of leaving the world behind – perhaps to explore a new one or join life on the other side, closing the album experience with a familiar Celldweller lyric... "we will never die." The digital/CD version of the album include a bonus remix by Ulrich Schnauss (Tangerine Dream).

Building on what VanishedOne wrote, there are a couple of ways to mark an objective as "invalid". It still shows up in the objectives list, but with a "crossed out" symbol in the checkbox. You can do it with script code: $player1.setObjectiveState( objNum, OBJ_INVALID ); where objNum is the objective number, e.g.: $player1.setObjectiveState( 8, OBJ_INVALID ); Or with an atdm:target_setobjective_state object with the following spawn args: "obj_id1" "8" "obj_state" "2" (once again, assuming the objective is number 8). Make the atdm:target_setobjective_state the target of a trigger.

Wow, the atmosphere in this was incredible! I did find a very minor modeling glitch in the back of the cathedral where the window model's pillar is...obviously "empty". And finally

Here are some more shots from Shadows of Northdale Act 3

Back in the day when Stan Ridgway was singer with Wall of Voodoo they did a cool version of a famous J. Cash song: