Nosslak

If you issue a chargeback against Steam they will ban your account, meaning that you'll no longer be able to play any of your games. It's a pretty shitty situation where we are completely powerless unfortunately.

Looks pretty good, but you could easily fix the smoothing/shading problems by just dropping in an edgesplit modifier and setting the angle to something like 70/80 degrees (and/or marking all the hard edges manually [CTRL+E>Mark Sharp]). You're making some nice progress so keep going. With a custom shader that used vertex blending to add in dirt/paint this could really be taken to the next level, but that's probably not easy to implement. Good luck!

Try importing one of the character models for scale and use that as reference.

Yeah, xNormal is awesome. If you've textured it with polypaint in Zbrush just uncheck the box for your highpoly model(s) that says "Ignore per-vertex-color" in xNormal and then check "Bake base texture" under "Baking Options" and you'll get those textures right back. I wouldn't just decimate it with ZBrush as this will result in poor topology so it might not deform well during animations. I would probably just manually try to optimize the highpoly (assuming that has proper topology) or otherwise rebuild it from scratch on top of the highpoly, but that's just me. I'm not sure how much facial animation TDM is using but if nothing else you might want to animate it for something else in the future. Otherwise I think it all looks good. Well done!

The feet feel a bit small but otherwise it looks good.

I think it's starting to look good but I'll have to second the requests for bigger hands, feet and alpha planes for the hair. I do have some critique of my own as well: 1. I think his crotch/pelvis needs to be reworked a bit (here's a good reference), as the legs shouldn't just join together like that. It might already be fixed but it's something that bothered me a bit on the older pics, and it's hard to tell from the angles of the new pics (I'm on a crappy lappy so I can't check the interactive display). 2. His knees look weak, so make them a bit thicker. 3. His face looks more pitiful than ferocious/scary, try changing the eyes/brows a bit to fix this. He also need more defined and colored lips, as well as a colored inside of the mouth. 4. The texture needs more color variation and contrast. Here's a werewolf with an IMO better color-scheme. 5. Fur is hard to texture (I've tried and failed multiple times), but try to make some bigger clumps of fur as that will probably look better. Here's a tutorial for making big hair styles, some of that should carry over to fur as well. 6. Skin isn't all that easy to texture either. I've found that using a cavity map (basically an AO map that picks up smaller details, if you use xNormal you can easily generate one) you can often get pretty good results. All you need to do to get started is turn down or off AO for the skin-parts, blur your cavity map (not too much) tint it a bit red (to simulate a bit SSS) (it is important that the cavity and base texture doesn't have the exact same color with only brightness changes) and overlay that on your texture. Then you should also paint in some (subtle) color changes on elbows, knees, knuckles and such. I've only textured some human characters with caucasian skin but it should translate over to darker skins too. I hope I didn't sound too harsh, I just want this model to live up to it's full potential.

Looks nice, but the fingers needs to be a lot thicker in my opinion.

You could bake the AO to the vertices and also bend the vertex-normals of the leaves to alter the lighting so that tree-crowns look fuller, that should get you pretty far.

I've got some pointers that could help improve your models: - Do try to bake some ambient occlusion to your models preferably from a high-poly model along with other maps (such as normals, cavity, curvature, etc), but if not at least bake some directly from the lowpoly as that'll give your models a lot more depth. - If you have to use photo-textures try to use some that are as flat as possible where you'd preferably get the bigger shapes from a highpoly bake. - Do use smoothing groups/split polys to make sharper edges where you've got sharp angles (i.e every angle greater than maybe 70 or 80 degrees). - Do try to add more logical details such as scratches along exposed edges I'd recommend you take a look at xNormal and try to incorporate that into your workflow. Even if it takes a lot longer to make highpolys the resulting models will often be well worth the extra time invested.

Try applying/freezing transformations (scale, rotaions and translations) (might be called something else in Modo, but that is what both Blender and Maya respectively call it), I think I had a similar issue with one of my old models that got fixed by just doing that.

Is that use ao combined with normals? If so you shouldn't use that to control the diffuse light, only the ambient and/or specular, otherwise it'll look very dirty. You can read about it here: http://wiki.polycoun...to_a_Normal_Map I think it'd be a suitable effect to use between planks in a wall texture, but not for a concrete wall.

Try out nDo2 instead, it'll give you even better results and more control as well as the ability to paint normalmaps directly in Photoshop with a live 3D viewer.

Here's some info from polycount on how to make the second diffuse texture: http://wiki.polycount.com/NormalMap#Back_Lighting_Example

What Blender counts at the top is faces which means it'll count a triangle, quad, pentagon, hexagon, etc as 1 face when on the graphics card what really matters is the number of triangles (2 triangles/quad, 3 triangles/pentagon, 4 triangles/hexagon). You'll need to add a decimation modifier for each model and then add up that count (it converts all the faces to triangles before counting).

Select the bottom vertices in edit mode (just Box select them, doesn't need to be exact), hit O for proportional editing, choose falloff type and then you can just scale or translate the vertices downwards.