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Showing results for '/tags/forums/history of art/'.
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yeah those were the days... damn i just realized i lived through vacum tubes -> transistors -> integrated circuits and pretty much the entire history of home computing from huge tape recorders and the turntables to cd dvd blueray dat and now we barely use any of them (getting damn hard to even find a PC case with a slot for a DVD player lol). not to mention whats happened to the world just in my lifetime sheesh...
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The *DOOM3* shaders are ARB2 ('cause of old GeForce support) carmack plan + arb2 - OpenGL / OpenGL: Advanced Coding - Khronos Forums
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Bump maps not blending in vertex blended materials
nbohr1more replied to grodenglaive's topic in TDM Tech Support
Seems to confirm: https://bugs.thedarkmod.com/view.php?id=5718 does it happen in the latest dev build: https://forums.thedarkmod.com/index.php?/topic/20824-public-access-to-development-versions/ -
I just read@motorsep Discovered that you are able to create a brush, then select it and right click "create light". Now you have a light that ha the radius of the former brush. Just read it on discord and thought it may be of use for some people in the forums here too.
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Weird old adventure game with interesting art. It's from the company who also made the Gobliiins series.
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I just found this thread on ttlg listing Immersive Sims: https://www.ttlg.com/forums/showthread.php?t=151176
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Recently revisiting the forums after a longer period of time I wanted to check the unread content. I don't know if I am doing this wrong since.. ever... but on mobile (visiting the unread content page on my smartphone) you have to click on that tiny speech bubble to go to the most recent post in a thread. If you don't click correctly you'll hit the headline and end up at post 1 in the beginning of the thread. It's terrible on mobile, since not only the speech bubble is really small and was to miss. But also the thread headline is just millimeters away from it so you go right to the first post that was ever made instead of the most recent ones. Am I doing it wrong? I just want to go through u read content a d the to the newest post from that topic.
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A@datiswous Ah yeah, well sorry, I was quiet busy and only visiting discord. First time here on the forums since months now I think.. Thank you for the subtitles. I encourage everyone who is interested in using them to download it from here as I'm not sure when I'll be able to implement them myself into the mission. Again, thank you for your work.
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As other users have pointed out it's at least as much if not more an art "problem" as it is a technology one. While I could definitely see mipmaps helping, as I have mentioned I am not aware of any normal maps in core assets which are compressed and leverage mipmaps. I think it comes down to the overall intensity and then the frequency of detail in the normal map relative to the scale of the texture and lighting in the scene. The art of the game was made to suit the technology of the game. This means the intensity of the normal maps in many stock assets are tuned to present detail from small often transient dynamic lights and they do not hold up as well under these kinds of lighting conditions or when used outside of their intended texture scale. This one is probably intended to be a large stone floor which is probably lit by a torch instead of small platforms lit by giant spotlights. This was within our power to "fix", but we didn't consider it a priority admittedly in the context of all the work to be done to finish and release the mission.
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@MirceaKitsune I don't say this to be discouraging, but a developer has already responded that replacing the AA in the game is not arbitrary and has no ETA so not sure what else you are looking for? Even if the engine is overhauled to the point TAA is an option, there is still no perfect AA solution. The image quality of the most modern games often reveals shortcomings under scrutiny - there are always trade offs. So how helpful is your suggestion which paraphrased is basically: "we need a bespoke AA solution that cheaply provides perfect results" when it comes to actually solving this problem? In a game where the image is typically dark and there isn't much high frequency detail it does not take much AA to provide an acceptable image in 95% of circumstances imo. It is we mappers who ultimately control what you are seeing in a given mission, and these scenes in SLL are very brightly lit with large volumetric light volumes. This for example reveals a lot of limitations in the resolution of shadow maps for these lights and presents normal map interactions that are not typical for the game, all that were quite obvious in development. Ultimately we liked the overall effect, so we accepted the trade offs. While there will always be room for improvement and advancements (just look at the VL light quality improvements coming from 2.10 to 2.11) it is that overall presentation, including those compromises, that is what real time game art is all about.
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I can guarantee you that some actual artists are using AI as a tool that complements the human mind. You can feed your sketches or finished work into it (image-to-image) to generate more details, and the best AI art seen today often involves an digital artist cleaning up the AI mistakes by hand (Photoshop). But in general, the artistically unskilled/uninclined are having their human creativity amplified by AI. People have ideas, and now they can make them a reality without hiring anyone or spending 10,000 hours learning how to draw. Exercising their creativity might inspire them to learn the basics of art, to become better at using the AI. I think you will see a drop-off in low effort content that is spat out instantly by AI, whether that's images, videos, or symphonies. In a sea of AI-generated content, the best or most interesting (viral) will rise to the top, and that will tend to favor the things that had some effort put into them. You might not even realize that AI was part of the process. If you listen to a symphony or other music created partially/fully by AI and you enjoy it, what then? Is it "bad" once you know AI was involved?
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I have no idea why there's such a hype over such A.I.'s. A computer always has been something for me which should complement the human mind, not replace it. When I read that A.I. composes symphonies, and does other art stuff, then I shake my head, and think of sci-fi movies, not of something which is actually useful. Human creativity is the antithesis to anything machine made. Especially when it's simply based on a database of collected knowledge, nothing which is based on actual human behavior (yes, I know, they try to "simulate" that, but, it's still very basic). I would say "Wake me when you're through", but, like with so many things these days, I'm afraid that it's a long-running craziness, not something which is done tomorrow. For me, it's the completely wrong direction, and a total waste of time.
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Of course, it is one of the reasons for the decline of online forums, since the advent of mobile phones. Forums on a mobile are a pain in the ass, but on the other hand, for certain things there are no real alternatives to forums, social networks cannot be with their sequential threads, where it is almost impossible to retrieve answers to a question that is asked. has done days ago. For devs for internal communication, the only thing offered is a collaborative app, such as System D (not to be confused with systemd). FOSS, free and anonymous registration, access further members only by invitation, full encrypted and private. https://www.system-d.org
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Why do we see people selling fan art and models from games online? How and why do they not get ripped a new one by publishers? I mean there are some companies who just sit on franchises and do nothing with them; they tend to be the most litigious, while more active ones who have actually made good games in the last 15 years seem to ignore it? I guess sitting around, hoarding franchises and not developing games all day means you have more time to go after fans.
But still, I do feel that profiting off of someone else's work without their permission is wrong.
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Using Nintendo as an example, they tend to go after emulators, unauthorized ports, and fan games. They aren't as likely to go after fan art. There was a recent DMCA request sent to SteamGridDB, but that was more like reworked box art, I assume used for emulator GUIs:
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Well, there are even people who sell tshirt prints of the thief games for their own profit without legal pursue. I think doing fanart without profit is fine, but selling them for their own pocket to be printed on clothes and posters by using the fame of games other people / companies made is not right.
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Ignoring is somewhat inadequate as you still see other members engaging in a discussion with the problematic user, and as Wellingtoncrab says such discussions displace all other content within that channel. Moderation is also imperfect as being unpleasant to engage with is not in itself banworthy, so there is nothing more to do if such people return to their old behaviour after a moderator had a talk with them, except live with it or move away. I'd be more willing to deal with it if it felt like there were more on-topic discussion, i.e. thoughts about recently played fan missions or mappers showcasing their progress, rather than a stream of consciousness about a meta topic that may or not have to do with TDM. I guess the forums already serve the desired purpose, or they just compartmentalise discussions better.
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I don't recall a system for noise masking. It sounds like it'd be a good idea, but when you get into the details you realize it'd be complicated to implement. It's not only noise that that goes into it, I think. E.g., a high register can cut through even a loud but low register rumble. And it's not like the .wav file even has data on the register of what it's playing. So either you have to add meta-data (which is insane), or you have to have a system to literally check pitch on the .wav data and paramaterize it in time to know when it's going to cut through what other parameters from other sounds. For that matter, it doesn't even have the data on the loudness either, so you'd have to get that off the file too and time the peaks with the "simultaneous" moment at arbitrary places in every other sound file correctly. And then position is going to matter independently for each AI. So it's not like you can have one computation that works the same for all AI. You'd have to compute the masking level for each one, and then you get into the expense you're mentioning. I know there was a long discussion about it in the internal forums, and probably on the public subforums too, but it's been so long ago now I can't even remember the gist of them. Anyway the main issue is I don't know if you'll find a champion that wants to work on it. But if you're really curious to see how it might work, you could always try your hand at coding & implementing it. Nothing beats a good demo to test an idea in action. And there's no better way to learn how to code than a little project like that. I always encourage people to try to implement an idea they have, whether or not it may be a good idea, just because it shows the power of an open source game. We fans can try anything we want and see if it works!
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If my ears don't deceive me, the narrator's voice. By the way, I don't have a horse in this race, and don't want to hold a discussion about it, but, how do you keep it? Let's say there is a mission planned and multiple parties are involved. The mission is on hold for years, due to people formerly involved in the mission don't work on it anymore, have gone inactive, or else. Someone chooses to pick up on it, and continues to work on it. Will he be free to do what he wants with the mission, granted the people originally onvolved are OK with it? Do you expect to be credited when the mission is done? Do you see your work or art as closed source, unless someone asks for permission to use it? I always thought, with the mod being open source, and so many openly available contributions to the assets, it would more or less mean that people are also allowed to work and pick up on old, discontinued missions, and don't have to ask for everything. Maybe I'm naive in thinking that.
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Which art is that in the case of this video?
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I guess knowing that Bikerdude is continuing to use my art without asking or giving credit provides some continuity to the universe....
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I'm using the version from kcghost. I just tested and I can't see any difference inside the inventory. On the stats itself it doesn't show the different loot types (still seen in the inventory), but instead gives more info on stealth score. Edit: I see Dragofer made an updated version of his script. I have to check that out. Edit2: That version works: https://forums.thedarkmod.com/applications/core/interface/file/attachment.php?id=21272&key=02755164a3bed10498683771fe9a0453
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I looked but didn't see this video posted in these forums. It's pretty cool.
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It wasn't a "sacrifice", it was a deliberate decision. People wanted the game to be as close as possible to the original, including pixelated graphics. If you ask me, the former version based on the Unity engine looked and felt better. But, hey... I guess I'm not the right person to judge that, as I never played the original, and always found that the art style of System Shock 2 is much better anyway. This also illustrates the issue with community funded games: Too many cooks spoil the broth. In game design, you need freedom, not thousands of people who want you to do this and this and that. Just take a look at the Steam forums and see how all those wimps complain again about everything. Hopeless.
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So giving it none of those tags, but making the AI invisible, silent, non-solid, and on a team neutral to everyone would not work? Oh well, it was a horrible inelegant idea anyway.
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i would say as long as i dont need special equipment to play it that is the minimum requirement for me not meaning wrappers for older directx or opengl bungles though the casual user might have some trouble getting things to run that i have had running for years. visually im more than satisfied with how system shock 2 looked the interface however can be a bit daunting for players of today. strangely atleast some older games can rival modern games in fidelity one example being timeshift which ran on the saber engine (yes the same engine powering the newer halo offerings). Try it in 4k and be amazed at the detail . the game itself is not widely known as it came out at the same time half-life 2 came out so it was overshadowed which is a shame as it is actually rather fun to play as a protagonist with a suit that is actually a working time machine. The story is newer fleshed out all that much but in essence you were a scientist working on the suit you wear when one of the other scientists jacks an older prototype to change history and tries to murder everyone in the lab your fiance included (well actually succeding atleast untill you get to take him down and travel back to just before the bomb went off), but theres a catch the suit does not allow paradoxes so it yanks you away from your own time after saving everybody. I guess the followup would have shed some light on how to get back to your own time again but the game flopped due to not having the big exposure the devs hoped for so it newer came to pass.
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Thief: Deadly Shadows 20th Anniversary Contest
datiswous replied to Wellingtoncrab's topic in Fan Missions
What I understood is that the idea of TDM was born from that it was unclear if T3 would get a level editor at the time. Source: https://web.archive.org/web/20050218173856/http://evilavatar.com/forums/showthread.php?t=268