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I've added new royalty-free music to my main post.

After some amount of work I'm happy to be able to share my Christmas gift for TDM! Or at least half of it, considering the other half is still only in design phase. I created an addon that implements detailed player functionality, inspired by the first DeusEx game (The Conspiracy). It's NOT a mission script but an addon, meaning you place the pk4 in your TDM directory to enable the system and it will automatically work in each and every FM. Note that due to using tdm_user_addons.script / user_addon_init() it may disable or get disabled by other addons you have installed... this is a design limitation which can hopefully be lifted at some point in the future. This plugin will be included in my cyberpunk total conversion The Dark Module and automatically active with it, but first I shall design it and make it available as a small independent addon for vanilla TDM. In the current initial release it implements just per-limb damage; The upcoming plan is to add a skill / augmentation system, allowing the player to use loot as skill points to enhance various body parts and gain new or improved abilities. Due to the scripting system being very limited in what it lets me modify, I'm still gathering documentation on how to implement those skills and which I can have. So until then detailed body damage with penalties remains the only part that's theoretically finished so far (further improvements are required here too)... including a HUD component above the lightgem showing the status of each body part: Green = full health, yellow = half health, red = (close to) no health, black = no health left. The individual limbs available: Head, Torso, Left Arm, Right Arm, Left Leg, Right Leg... arms and legs work in unity however. They each take damage with the player as well as healing together with them. The more damaged a group is, the more a respective penalty is applied to the player. Groups and penalties include: Head: When the head is damaged, the player begins to get dizzy and has their vision impaired. Currently the only effect replicates the flashbomb, causing white dots to appear around the player and disrupt their view until the head is healed. As the player can't live without a head, reaching 0 will cause instant death. More effects are possible and pending. Torso: Damage to the torso translates to damage to the cloak, increasing the player's lightgem and rendering them more visible even in dark spots. As the player can't live without a torso, reaching 0 will cause instant death. Given script limitations I'm unable to simulate lung damage and decrease / limit the amount of air the player has. Arms: Arm damage makes it difficult for the player to hold items: In-world objects being held will probabilistically get dropped, more often the worse your arms are hurt. When both arms reach 0 health, the player can no longer pick up anything in the world without instantly dropping it... you also become unable to use any weapons. Due to limitations in the scripting system, I'm unable to decrease the speed or accuracy of the blackjack / sword / bow as was desired. Legs: As expected leg damage will make the player walk more slowly. It was desired that when one leg is lost the player can no longer jump, whereas when both legs are gone you remain stuck in crouch mode until healed... due to limitations in the scripting system this part is also not possible at the moment. A crude limitation is the fact that limb damage is primarily based on the direction the player is walking toward... for example, increased likelihood of suffering damage to your right arm and leg if strafing right the moment you take the damage. The script system doesn't let you extract the vector direction of the last damage event, thus I can't use the real direction the hit came from when calculating which body part should absorb the most health loss. This means that even if an arrow comes from above and hits the player's head area, the player will only take damage to the legs if they're falling downward the moment they got hit... for the time being this provides a bare minimum amount of realism but is a very bitter implementation. For this reason it would be greatly appreciated if any of the code developers could join this discussion and verify if they can help with adding the necessary hooks to external scripts: With 2.09 getting periodic beta releases at this point in time, it would be a great opportunity to make changes to the builtin player script that allow an external function to modify more player variables. This includes the efficiency of weapons, if the player is allowed to jump or forced to always crouch, and I'd also really appreciate a hook to manipulate the breath so air can be lowered as if the player is underwater. I understand other priorities exist or if the work may be considered too much, however this would help in being able to finish this mod with the proper functionality and planned skill set. In the meantime let me know what you think of this idea and how I went about it! So far no new assets are included except the GUI graphics: Everything is done with less than 250 lines of script which I'd say is a good achievement I've attached the pk4 and since it's so lightweight I'll also add the main script straight in this post. player_damage_1.0.pk4 #define DAMAGE_WAIT 0.0166667 #define EXPOSURE_ARM_LEFT 2 #define EXPOSURE_ARM_RIGHT 2 #define EXPOSURE_LEG_LEFT 2 #define EXPOSURE_LEG_RIGHT 2 #define EXPOSURE_HEAD 3 #define EXPOSURE_TORSO 1 #define PENALTY_TORSO_LIGHTGEM 4 player self; float damage_gui; boolean dizzy; entity dizzy_particles; float bound(float val, float min, float max) { if(val < min) return min; if(val > max) return max; return val; } // Range based probability: Calculates a probability per frame independent of wait time (0 - 1 range at 1 chance per second) boolean prob(float x) { return sys.random(1) > x && sys.random(1) < DAMAGE_WAIT; } // Directional exposure calculator float dex(vector dir, float ex_front, float ex_back, float ex_right, float ex_left, float ex_up, float ex_down) { float maxvel = 100; float dir_front = bound(dir_x / maxvel, 0, 1) * ex_front; float dir_back = bound(-dir_x / maxvel, 0, 1) * ex_back; float dir_right = bound(dir_y / maxvel, 0, 1) * ex_right; float dir_left = bound(-dir_y / maxvel, 0, 1) * ex_left; float dir_up = bound(dir_z / maxvel, 0, 1) * ex_up; float dir_down = bound(-dir_z / maxvel, 0, 1) * ex_down; return dir_front + dir_back + dir_right + dir_left + dir_up + dir_down; } void player_damage_update_arm(float dmg_l, float dmg_r) { float hl_l = self.getFloatKey("health_arm_left"); float hl_r = self.getFloatKey("health_arm_right"); float hl = (hl_l + hl_r) / 2; if(dmg_l != 0 || dmg_r != 0) { hl_l = bound(hl_l - dmg_l, 0, 1); hl_r = bound(hl_r - dmg_r, 0, 1); hl = (hl_l + hl_r) / 2; self.setKey("health_arm_left", hl_l); self.setKey("health_arm_right", hl_r); self.setGuiFloat(damage_gui, "PlayerDamage_ItemArmLeft", hl_l); self.setGuiFloat(damage_gui, "PlayerDamage_ItemArmRight", hl_r); // Penalty #1: Disable the weapon once the arm are damaged to minimum health if(hl == 0) { self.selectWeapon(WEAPON_UNARMED); self.disableWeapon(); } else { self.enableWeapon(); } } // Penalty #2: Probabilistically drop held items based on arm damage if(hl == 0 || prob(hl)) if(self.heldEntity() != $null_entity) self.holdEntity($null_entity); } void player_damage_update_leg(float dmg_l, float dmg_r) { float hl_l = self.getFloatKey("health_leg_left"); float hl_r = self.getFloatKey("health_leg_right"); float hl = (hl_l + hl_r) / 2; if(dmg_l != 0 || dmg_r != 0) { hl_l = bound(hl_l - dmg_l, 0, 1); hl_r = bound(hl_r - dmg_r, 0, 1); hl = (hl_l + hl_r) / 2; self.setKey("health_leg_left", hl_l); self.setKey("health_leg_right", hl_r); self.setGuiFloat(damage_gui, "PlayerDamage_ItemLegLeft", hl_l); self.setGuiFloat(damage_gui, "PlayerDamage_ItemLegRight", hl_r); // #Penalty #1: Make movement slower self.setHinderance("health", 0.25 + hl * 0.75, 1); } } void player_damage_update_head(float dmg) { float hl = self.getFloatKey("health_head"); float time_current = sys.getTime(); if(dmg != 0) { hl = bound(hl - dmg, 0, 1); self.setKey("health_head", hl); self.setGuiFloat(damage_gui, "PlayerDamage_ItemHead", hl); // Penalty #1: Without a head the player dies if(hl == 0) self.damage(self, self, self.getOrigin(), "damage_suicide", 1); // Penalty #2: Simulate dizzyness starting at half health if(hl <= 0.5) { if(!dizzy) { dizzy_particles = sys.spawn("func_emitter"); dizzy_particles.setModel("flashbomb.prt"); dizzy_particles.setOrigin(self.getEyePos()); dizzy_particles.bind(self); dizzy = true; } } else { if(dizzy) { dizzy_particles.remove(); dizzy = false; } } } } void player_damage_update_torso(float dmg) { float hl = self.getFloatKey("health_torso"); if(dmg != 0) { hl = bound(hl - dmg, 0, 1); self.setKey("health_torso", hl); self.setGuiFloat(damage_gui, "PlayerDamage_ItemTorso", hl); // Penalty #1: Without a torso the player dies if(hl == 0) self.damage(self, self, self.getOrigin(), "damage_suicide", 1); // Penalty #2: Torso damage negatively affects the lightgem self.setLightgemModifier("damage", (1 - hl) * PENALTY_TORSO_LIGHTGEM); } } void player_damage() { sys.waitFrame(); self = $player1; damage_gui = self.createOverlay("guis/player_damage.gui", 1); float health_old = 100; // Init by sending a heal event filling the limbs to full health player_damage_update_arm(-1, -1); player_damage_update_leg(-1, -1); player_damage_update_head(-1); player_damage_update_torso(-1); while(1) { // sys.waitFrame(); sys.wait(DAMAGE_WAIT); float health_current = self.getHealth(); float dmg = (health_old - health_current) / 100; float dmg_arm_left = dmg * EXPOSURE_ARM_LEFT; float dmg_arm_right = dmg * EXPOSURE_ARM_RIGHT; float dmg_leg_left = dmg * EXPOSURE_LEG_LEFT; float dmg_leg_right = dmg * EXPOSURE_LEG_RIGHT; float dmg_head = dmg * EXPOSURE_HEAD; float dmg_torso = dmg * EXPOSURE_TORSO; // If this is damage and not healing, apply directional damage to each limb if(dmg > 0) { // Currently we estimate damage direction based on the player's velocity, we should fetch the real direction of a damage event when this becomes possible vector dir = self.getMove(); vector ang = self.getViewAngles(); // Protections based on the player's position and relation to the environment // protection_look: 1 when looking up, 0 when looking down // protection_low: Higher as the lower part of the body is exposed float protection_look = 1 - (90 + ang_x) / 180; float protection_low = 1; if(self.AI_CROUCH) protection_low = 0; else if(self.AI_ONGROUND) protection_low = 0.75; // Use the dex function to calculate directional exposure patterns, direction order: Front, back, right, left, up, down // Arms: Somewhat likely to be hit, no added protection // Legs: Somewhat likely to be hit, added protection when the player is crouching // Head: Unlikely to be hit, added protection when the player is looking down // Torso: Likely to be hit, no added protection float exposure_arm_left = bound(sys.random(0.375) + dex(dir, 0.5, 0.25, 0.0, 1.0, 0.0, 0.25), 0, 1); float exposure_arm_right = bound(sys.random(0.375) + dex(dir, 0.5, 0.25, 1.0, 0.0, 0.0, 0.25), 0, 1); float exposure_leg_left = bound(sys.random(0.375) + dex(dir, 0.75, 0.5, 0.0, 0.5, 0.0, 1.0) * protection_low, 0, 1); float exposure_leg_right = bound(sys.random(0.375) + dex(dir, 0.75, 0.5, 0.5, 0.0, 0.0, 1.0) * protection_low, 0, 1); float exposure_head = bound(sys.random(0.25) + dex(dir, 0.25, 0.75, 0.5, 0.5, 1.0, 0.0) * protection_look, 0, 1); float exposure_torso = bound(sys.random(0.5) + dex(dir, 0.75, 1.0, 0.0, 0.0, 0.0, 0.0), 0, 1); // Apply the exposure to damage, multiplied to simulate the sensitivity / resistance of each limb dmg_arm_left = exposure_arm_left * dmg * EXPOSURE_ARM_LEFT; dmg_arm_right = exposure_arm_right * dmg * EXPOSURE_ARM_RIGHT; dmg_leg_left = exposure_leg_left * dmg * EXPOSURE_LEG_LEFT; dmg_leg_right = exposure_leg_right * dmg * EXPOSURE_LEG_RIGHT; dmg_head = exposure_head * dmg * EXPOSURE_HEAD; dmg_torso = exposure_torso * dmg * EXPOSURE_TORSO; } player_damage_update_arm(dmg_arm_left, dmg_arm_right); player_damage_update_leg(dmg_leg_left, dmg_leg_right); player_damage_update_head(dmg_head); player_damage_update_torso(dmg_torso); health_old = health_current; } }

Maybe it's less time to let him do his work and re-checking the change history afterwards if necessary than to make him post edits here and insert them manually every time guys...

Okay, I give up, I'm incompetent. Can someone post how they did the speedrun? Use spoiler text please - don't want to ruin it for anyone else.

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Hello, all. This thread is meant as a follow-up companion piece to my previous thread listing royalty-free music by Kevin MacLeod that could be usable for new missions for The Dark Mod. In this thread, I take a slightly different approach. Instead of focusing on one author and his royalty-free music, I'll be writing an ever-expanding list of songs, compositions tracks and ambients by various musical artists that could come in useful for mission makers working on FMs for TDM. Aside from ambient music for background atmosphere, I'll also be listing some historical music and compositions from the real world's ca 14th-17th century that are in the public domain and could be used as background music in your missions, provided that someone does a royalty-free recording of them (i.e. not released on some payed-for album, but at most a royalty-free album or online collection/archive). Please note that, though I will try to provide you with links to royalty-free versions of historical compositions in particular, I sometimes might not be sure of the status of some of these recreations/recordings and you'll have to snoop around for their royalty-free status on your own. However, if you do confirm that, e.g. some freelance artist recorded a well-known 16th century piece of music, and is giving it away royalty-free, possibly with the only necessity being attribution, then please let me know and I'll include any download links and the details concerning necessary attribution. Thank you ! And now, it's time to begin... ---- Royalty-free ambients As in "free to distribute and use (though possibly with attribution)", not necessarily "free of the TDM universe royalty". Free Music Archive (FMA) From his particular website, I'll only be including tracks that have broad Creative Commons licenses or free licenses, and tracks that are suited to both Non-commercial and Commercial use. In other words, largelly CC BY 4.0 and CC BY 4.0 Deed. It's better to search for ambients and tracks that are more lenient with their licenses. Lee Rosevere - All the Answers - Awkward Silences (B) - Baldachin - Betrayal - Compassion (keys version) - Delayed Reaction - Edge of the Woods (kind of too modern sounding in parts, but maybe you could find a use for it á la some of the old grungy-sounding ambient tunes in Thief) - Expectations - Everywhere (sounds like a calm but moody mansion ambient to me) - Gone - Her Unheard Story - It's A Mystery - Not Alone - Old Regrets - Reflections - Slow Lights - Snakes - Something To Fill The Space - Thoughtful (especially the first half to first two thirds, before the more electronic beat kicks in) - The Long Journey - The Nightmare - The Past - Time to Think - Under Suspicion (maybe the bit between 2:26 and 2:48 would be the best for a tension sting, the rest sounds a bit too modern spy-fi for the TDM setting) - What's in the Barrel ? - You're Enough (A) - Maarten Schellekens - A Bit of Discomfort - Daydream - Deliverance - Free Classical Theme (arguably more like for an SF film with classical music portrayed electronically, but not bad) Salakapakka Sound System - Aiti, joku tuijottaa meita metsasta - Holle - Kadonnut jalkia jattamatta - Privatomrode i Vasteros - Syttymissyy tuntematon 1 - Syttymissyy tuntematon 2 Sawako albums - 098 (ambient for background humming and buzzing, perhaps machinery, electricity, industrial ambience, etc.) - Billy Gomberg Remix - If You're Ther (odd city ambience, between moody music and city background ambience, mild background thumping) - Lisbon ambience (maybe usable as background ambience in some mission set at a more Mediterranean city) - Mizuame (Sawako Sun) (could work as ambience for a larger baths or spa hall, with the sound of water, and human voices occassionally heard in the background) - November 25, 2007 - Snowfall - Spring Thaw - Tim Prebble Remix - UNIVERSFIELD - A Beatiful Sky (this track would actually be good for a church or cathedral interior) - A Calm Soulful Atmosphere For A Documentary Film (calm but somewhat mysterious ambient, reminds me of some of the Dishonored ambients) - A Grim Horror Atmosphere - A Music Box With A Tense Atmosphere - Atmosphere for Documentaries (rather suspensful ambient with an undertone of woodwind instruments) - Background Horror Tension - Beautiful Relaxing Ambient (a calmer ambient that's good for a location with some degree of grandeur or one that provides relief to the player) - Blood-chillingly Creepy Atmospheres - Bloody - Cloaked in Mystery - Corpse Rot - Crime City - Dark Background - Deep Space Exploration (has a nice atmosphere of mystery and exploration) - Drifting in Harmony (calm but suspensful ambient) - Embrace of the Mist - Exoplanet (mysterious ambient, could work for various environments) - Exploring the Cursed Cemetery (short, fifteen second tension sting with piano) - Evening Meditation In The Open Air (could work for a number environments during evening hours) - Fading Memories - Gloomy Atmosphere for Documentaries - Gloomy Reverie - Grim Atmosphere - Horror Atmosphere (Version 2) - Horror Background Atmosphere 6 - Horror Background Atmosphere for Horror and Mystical - Horror Background Atmosphere for Scary Scenes - Horror Background Atmosphere for Suspensful Moments (1) - Horror Background Atmosphere for Suspensful Moments (2) - Horror Dark Atmosphere (Version 1) - Horror Music Box - Intergalactic Ambience (good calm theme of mystery and wonder) - In the Embrace of Darkness - Mars (suspensful ambient for a suspensful location, with a metallic undertone in its melody) - Meditation in Nature (aside from outdoor environments, could work in a number of other environments as well) - Melodies of Fear - Midnight Secrets - Mild Heaven (a calm ambient, maybe could work for night time city streets and city rooftops) - Moment of a Dream (suspensful theme, hopefully not too electronic in undertone) - Mysterious Passerby - Mystery Atmosphere - Mystery Horror - Mystery House - Mystical Dark Atmosphere - Nebula Soundscape (sounds like a good ambient for outdoor or cave environments or maybe even churches and city rooftops) - Ominous Criminal Atmosphere - Sad Emotional Piano for Documentary Films - Scary Dark Cinematic For Suspensful Moments - Scary Horror Atmosphere - Sinister Mystery - Sinister Piano Melodies (short, fifteen second tension sting with piano) - Siren's Call (I feel this one has more limited uses, though maybe it could work for suspense in an industrial environment) - Soothing Serenade (calm, soothing ambient, with a slight hint of mystery, could work for several types of environments) - Soothing Soundscapes (calm, soothing ambient, with a slight hint of mystery, could work for several types of environments) - Spooky Hallway - Suspense Atmosphere Background - Tense Dark Background - Tense Horror Atmosphere - Tense Horror Background Atmosphere - The Box of Nightmares - This Sunset (good for an evening or night time ambient, even includes subtle cricket chirping sounds) - Tropical Escapes (good for an outdoor environment with a waterfall, flowing stream or falling rain) Many of these tracks by UNIVERSFIELD are quite short, about a minute or slightly under a minute, but good as tension-building themes or as suspensful ambients. ---- Historical background music - lute and similar string instruments La Rossignol ("The Nightingale"} - a Renaissance era piece, anonymous composer. This one was written as an instrumental duet for two musicians. So, if you'd use this for a scene of AI characters playing their instruments, you should use two such characters for added believability. Here's what the composition sounds like when played as a duet on: - lute (obviously the most medieval/Renaissance instrumentation) - acoustic guitar (example 1) and acoustic guitar (example 2) - 11-string guitar what it sounds when played as a duet on an 11-string guitar - licensed album version (presumably lute) If you find any royalty-free version in good quality, let me know. Lachrimae ("Tears", sometimes known as "Seven Teares") by John Dowland - another Elizabethan era piece, by a 16th-17th century composer. Various reconstructions: - on lute (example solo performance at the Metropolitan Museum) - on lute, with vocal accompaniment (lutist and female soprano) - on lute, violas, and other (six musician ensemble performance) - on viola da gamba (five musician ensemble performance) Lachrimae Pavan ("Teary Pavane / Pavane of the Tears") by John Dowland - a variation on the previous composition, for the Renaissance pavane style dance. Various reconstructions: - on lute - on acoustic guitar (example 1), (example 2), (example 3) Again, I'd like to find a royalty-free version of these two compositions. Frog Galliard - one more by Dowland, for now. Another composition for a Renaissance dance style, the galliard. Reconstructions: - on lute (solo performance) - on lute, deeper sound (solo performance) - on acoustic guitar (example 1), (example 2), (example 3) Royalty-free version would be appreciated. Greensleeves - by an anonymous 16th century author, quite possibly a folk song of the era. Trust me, you know this one, even if you don't know the name. It's one of the most well-known bits of Renaissance secular and courtly music in the popular imagination. (Trust me, it's been referenced in everything. Even the first Stronghold game from the early 2000s had an in-game character sing a made-up ditty to the tune/melody of this song.) Reconstructions: - on lute (solo performance) - classical guitar (solo performance) - acoustic guitar (solo performance) I bet there's a royalty-free version of this one somewhere. I'll snoop around, and if you find one before I do, let me know. In taberna quando sumus ("When we are at the tavern") - anonymous period song from the 14th century, of Goliard origin. Written and sung entirely in Latin (so if you can explain Latin within the TDM setting or use only an instrumental version, go for it). An unabashed drinking song, you could use this for more rascally Builder priests/monks or for various commoners and lower-ranking noblemen while they're having a good time at the inn. A pretty well-known song even nowadays (though the most famous melody for it might be the more recent arrangement). Reconstructions: - example performance 1 - example performance 2 Again, an entirely royalty-free version of this one could come in handy. Historical background music - by Jon Sayles Jon Sayles is a musician who runs the Free Early and Renaissance Music website. His recordings are in .mp3 format (so you will need a conversion to .ogg) and Sayles has made them all freely available. The instrument he used for his musical reconstructions is the classical guitar. Some examples of Sayles' reconstructions of period music by anonymous or known authors: Saltarello, based on the late-medieval and Renaissance dance tune from Italy Madrigal by Anthony Holborne Al fonsina by Johannes Ghiselin Ich weiss nit by Ludwig Senfl So ys emprentid by John Bedyngham, mid-1400s Riu, riu, chiu, famous 15th century Spanish Christmas carol Fantasia, by Orlando Gibbons, late 16th and early 17th century Die Katzenpfote, German-speaking lands, anonymous author, 15th century A gre d'amors, 14th century, anonymous French author Nightengale (unrelated to La Rossignol), by Thomas Weelkes El Grillo, 15th to early 16th century composition by Josquin des Prez The Witches' Dance, by anonymous, Renaissance English composition Ma fin est mon comencement, by 14th century composer Guillame de Machaut In Nomine, late 15th and early 16th century composition by John Taverner Ricercare ("ricker-caré", nothing to do with rice or care), by Adrian Willaert Fantasia by Thomas Lupo, 16th-17th century English composer The Nite Watch, composed by Anthony Holborne - appropriate for TDM Plenty more where these came from... Historical background music - from the A-M Classical website This website offers plenty of freely available, royalty-free .mp3s of early and classical musical compositions and instrumental songs. The only thing you need to do is provide attribution, as everything on the site is via a Creative Commons license (this is noted on every page). Counting Christmas songs from the Middle Ages and Renaissance alone, I was able to download loads of them already years and years ago. Though they're far from epic recordings, if you're just looking for a competently done free version of these compositions, this is an excellent site. A few examples of medieval music from the A-M Classical site: Angelus ad Virginem (played quietly on organ), Diex soit en cheste maison by Adam de la Halle (organ and other instruments), Greensleeves (this is for a carol version of the lyrics, but the melody is the same as standard Greensleeves) Historical background music - by Vox Vulgaris The Swedish band/ensemble Vox Vulgaris aren't very active nowadays, but they did plenty of early music recording in the early-to-mid 2000s. From what I've read about their song releases, they're okay with others using the songs from their 2003 album and other material they've done. I don't know if their website is still around (there's an archived version) and whether you can still contact the band members, but if you'd like to be extra sure and ask, go ahead. I don't think they've changed their copyleft stance to their own works, but it pays off to be sure. So, here are some of VV's own takes on period music: Cantiga 166 - based on the eponymous song (full title "Cantiga 166 - Como póden per sas culpas (os homés seer contreitos)"), by Spanish composer Alphonso X from the 13th century (yes, king Alphonso X ! They didn't call him Alphonso the Learned for nothing). To provide you with a point of comparison, here, here and here are versions by other artists. (If I remember correctly, this particular VV song was also used by moonbo in his Requiem FM, as part of an inn's muffled background music. I did a real double-take when I played the mission for the first time and recognised it.) Cantiga 213 - based on the eponymous song (full title "Cantiga 213 - Quen sérve Santa María, a Sennor mui verdadeira"), again by Spanish composer, king Alphonso X from the 13th century. To provide you with a point of comparison, here and here are versions by other artists. Saltarello - based on the well-known melody for the Italian late-medieval Renaissance dance, the saltarello (also the saltarello trotto specifically in this case). To provide you a point of comparison, here and here are versions by other artists. La Suite Meurtrière - I can't quite source this one, it might be their own original composition, though "in the style of" some particular period music. Rókatánc (Fox Dance) - this is a really wild bit of period dance and festive music, possibly Hungarian-inspired, given the name. I think this would fit both a tavern environment or some public event for the nobility and patricians, including an armed sparring tournament or similar. Final note from me New suggestions are always welcome as I expand this thread. For any suggestions concerning Kevin MacLeod's royalty-free music, please use the other thread I've already made, purely for listing MacLeod's stuff.

Sorry - my response was a long way of saying I'd be fine with going to maps only as a strategy. I voted option 1. But this is without understanding some things in your top post. What is an 'Alpha-tested shadow occluder' and how does it affect me as a mapper? What is an example of a translucent object that won't cast shadows?

Hey @MirceaKitsune Things can get pretty busy above the lightgem and I moved the HUD to the top right corner of the screen. The modded gui file is attached to this post. I hope you resume work on this promising mod someday! player_augmentation.gui

it was a long shot, but I figured it'd be worth trying. are there any seemingly relevant console errors that pop up?

Yeah it would be cool to see some more detailed statistics and it’s a shame they aren’t really captured. Since we are talking about fan mission platforms, where players also make the content for the game, I feel like the best thing we’ve got is you can look at the number of content releases for the games. Keep in mind the graph counts campaigns as single missions - so for example NHAT and TBP both count as 1 mission. A good year for TDM has has approaching maybe 50% - mostly we’re 25-30%. https://www.ttlg.com/forums/showthread.php?t=152494 You could also look at the number of ratings thief missions get on https://www.thiefguild.com/ vs TDM ones, but that is pretty iffy in that you could chalk that up to more awareness of the site in the thief community than TDM Out of curiosity is there a reason a thief player can’t be a new player? I kind of think a player is a player and new players would be ones who are playing the dark mod who weren't? Is there disagreement the base of players most likely to pick up the game are fans of the thief games? They are certainly the most fruitful place to find feedback on the game beyond the sphere of this forum that I have seen. When we were trying to finish up SLL there was a lot of discussion on the forums about how long it had been since there was a release for the game. I am thankful that the stats show at least some stability over the years in terms of releases for TDM, but the trend for all of the games is decline. Not doing anything is a valid response if that’s what the devs want to do - it is not possible to provide evidence that any effort will slow that inertia. As a player and content maker I would just prefer trying to find feedback where it is offered from players who were willing to try the game but ultimately could not engage with it and see if there is anything that can be done within reason to ease them into the game. The game has a lot to offer imo. All those players are potential contributors - contributions in turn attract players - it’d be nice to see the cycle go on as long as it can.

What is your r_aspectRatio set to? What is your FOV set to? What is your resolution? Are you fullscreen or windowed? Windows or Linux? What version of TDM are you using? Intel, AMD or Nvidia GPU? Are you on the latest drivers? Can you post the contents of your darkmod.cfg file here please. You need to go through tech support first before opening a bug report.

I'm updating the external links in my main post. I've added YT links, and I'll also update the website links to the individual tracks.

Having completed all missions (except the very recent ones) I find TDM not challenging at this stage. If I want get any enjoyment on a second play-through of a mission I set my own rules and I roll-play it. Here is where optional skills / add-ons / challenges / fundamental changes come into play. I wish missions wouldn't resort so often to no BJ or no kills and allow me chose who I want to be in any difficulty. I wish TDM had real challenges built-in. @STiFU is up to something, and I am looking forward to his updates on the progress. What I really want to say is that mods - as long as they serve a purpose and work - will find their audience, regardless of whether you use them or not.

Maybe post a bit more info on the problem in a forum topic starter text?

Changelog of 2.13 development: dev17042-10732 * Restored ability to create cvars dynamically, fixing bow in missions (5600). * Fixed issue where .cfg files were saved every frame (5600). * Added sys.getcvarf script event for getting float value of cvar (6530). * Extracted most of constants from weapon scripts into cvars (6530). dev17035-10724 * Support passing information between game and briefing/debriefing GUI via persistent info. Also changed start map & location selection, added on_mission_complete script callback (6509 thread). * New bumpmapped environment mapping is now default (6354). * New behavior of zero sound spawnarg is not default (6346). * Added sound for "charge post" model (6527). * Major refactoring of cvars system to simplify future changes (5600). Known issues: * Bow does not shoot in some missions (only in this dev build): thread dev17026-10712 * Nested subviews (mirrors, remotes, sky, etc.) now work properly (6434). * Added GUI debriefing state on mission success (6509 thread). * Sound argument override with zero now works properly under cvar (6346 thread). * Environment mapping is same on bumpy and non-bumpy surfaces under cvar (6354 thread). * Default console font size reduced to 5, added lower bound depending on resolution. * Added high-quality versions of panel_carved_rectangles (6515). * Added proper normal map for stainglass_saint_03 (6521). * Fixed DestroyDelay warning when closing objectives. * Fixed the only remaining non-threadsafe cvar (5600). * Minor optimization of depth shader. * Added cm_allocator debug cvar (6505). * Fixed r_lockView when compass is enabled. dev17008-10685 * Enabled shadow features specific to maps implementation (poll). * Auto-detect number of parallel threads to use in jobs system (6503). * Improved parallel images loading, parallelized sounds loading, optimized EAS (6503). * Major improvements in mission loading progress bar (6503). * Core missions are now stored uncompressed in assets SVN (6498). * Deleted a lot of old rendering code under useNewRenderPasses + some cleanup (6271). dev16996-10665 * Environment mapping supports texcoord transforms on bumpmap (6500). * Fully disabled shadows on translucent objects (6490). * Fixed dmap making almost axis-aligned visportals buggy (6480). * com_maxFps no longer quantizes by milliseconds on Windows 8+. * Now Uncapped FPS and Vsync are ON by default. * Supported Vsync control on Linux. * Added set of prototype materials (thread). * Fixes to Stone font to remove stray pixels (post). * Loot candlestick no longer toggle the candle when taken. * Optimized volumetric lights and shadows in the new Training Mission (4352). * Fixed frob_light_holder_toggle_light on entities with both skin_lit and skin_unlit. * Now combination lock supports non-door entities by activating them. * Added low-poly version of hedge model (6481). * Added tiling version of distant_cityscape_01 texture (6487). * Added missing editor image for geometric02_red_end_HD (6492). * Added building_facades/city_district decal material. * Fixed rendering with "r_useScissor 0" (6349). * Added r_lockView debug rendering cvar (thread). * Fixed regression in polygon trace model (5887). * Added a set of lampion light entityDefs.

If you can do this, I don't know how. But it's something I want as well and was actually going to raise it as a feature request. I think speakers are spherical so they model real sound which radiates from a source outwards. I find this doesn't work so well with some scenarios though: water. For example you want to hear the sound of waves lapping a shoreline or a running water sound for a stream, river or canal. If the shoreline or stream is on the longer side, you have to have a speaker with a huge radius to cover it and the sounds extends too far along perpendicular to the body of water. Or alternatively multiple speakers but then you have to manage overlap and it becomes a pain. wind. Same idea but vertical - if you have a long edge or balcony then you need a large radius speaker to cover it and it might extend too low so you hear wind noises on the ground. @Petike the Taffer If all you want is for a sound to fill a room, just use the location system ambients instead. But you can only have one sound I think, so you couldn't have say your ambient music and also a weather sound at the same time without using a speaker for one of them.

So the old system is still present in 2.12? Then I truly fail to see the issue some others perceive Can't agree with you there. The implementation would be very counter-intuitive as it would clash with picking up swords/crates/etc with a single short click. If short frob becomes the new special action and we assume some new players won't know about long frob, then they also won't know they can move objects around. I can think of several missions where moving crates or magic orbs or lamps is vital to progression. Hell, picking up loot is done with short frob while long frob automatically picks up everything without the need to keep clicking. Long frob already is special action, changing it would create an inconsistent mess. If the argument is that shouldering should be long frob after picking the body with short frob, then perhaps you want to look at shouldering from a new perspective; shouldering is the new default, it is the most common thing a taffer will do with a body, while ragdoll manipulation is the new special action for specific situations.

Hey its been some time, I just wanted to make you guys aware, that i have been secretly at work, on the side, on a total remake of the systems from delightfyl. I post a few videos below, the new systems are really really powerful and stable! No idea what i will do with this yet... The effort to make a full game is really expensive and i am distracted and creatively bankrupt. Without outside help i will never make a game like this evermore.

Heya sure, I am distracted because i am very busy with YWA, i am writing a book and have plans beyond that. Its really massive. I simply think that i am not suited to make a game like this rn... maybe in 5 or 10 years. Its hella expensive and you need alot people, i simply cant wait that long. I need to invest in better things.

Builder Compound Pack will help you create better environments for your Builder-themed map sections! The aim of this experimental package is to provide high-quality models, materials, and other assets that don't put a big strain on the idtech4 engine. This early version is slightly more bare-bones than I wished for, as some modular sets (e.g. the roof) proved to be too complex and unfit for general use. Don't worry though, the set will be updated and expanded in future releases. Tweaks – Arch door and arch with hinges models have been removed. They were just static models, not actual door entities, and they weren't super useful, e.g. hey couldn't act as visportal closing entity due to gaps and transparent parts. – Detail texture stage added to selected materials (mostly those you can get very close to). As you approach a surface, you should see a slightly grainy layer that enhances the details. New content – Door01 and door01_frame have been added to both models and entities. This is a basic door for this corridor section. By default, it's locked (with easy lock) and AI will notice if it's left ajar. You may want to disable the latter (set ShouldBeClosed to 0) if you have a section with many AIs and doors, as it will probably disrupt AI patrolling too much. The frame will work with walls that are 16 units thick. Both door and the frame will work with grid of 8 and smaller. You can use the grid of 4 to change the door position within the frame. Look for grooves in the frame model. First of all, launch the map to see a simple section that was made with these assets. Use the menu or type map bc in the console to start the map. Noclip though the north wall, if you want to get to the staging area and see all pieces used to make this section. General info and tips: Make sure you have Rotate func_* entities around origin (Ctrl+R) enabled (Dark Radiant top icons) to use models efficiently. All models have custom pivot / origin point placement to make them snap to grid and geometry really fast. If you have keyboard shortcuts configured for RotateSelectionX/Y/Z and FloorSelection, placing these models around the map will be a breeze. I also recommend having shortcuts for SelectNudgeUp/Down/Left/Right, so you can move models in ortho views without using a mouse. DR detects models in a weird way, e.g. if your model is one-sided, or has some faces turned back to the camera in ortho view, selecting and moving it around will be difficult. Using keyboard is often more seamless and precise. You can select a model in perspective view, and then move it around in X/Y/Z plane using keyboard. Optimal scale for tileable materials is 0.125. This provides good pixel density vs repetition. Materials are optimized to be used both with and without post-processing, and the default gamma of 1.2. In some cases, specular hotspot might look slightly overblown with post-processing enabled. Correct look without post-processing was the first priority. Same principles apply to using lamp. The main idea behind this set is that you can use simple brushes for walls and floors, and wall panels have proper offset, so you don't need to use special surrounding BSP behind them. You can place panels right where your walls are, and there will be no z-fighting or clipping. Assumed basic measure for a corridor is 192 x 192 (length / width), but you can go lower if you don't plan to use arches and metal doors. The smallest wall panel piece is 24 units long. Use brushes to create basic space, then adjust it to what you can make with wall panels (combinations of 24, 48, 96, 192 etc.). DR's measurement tool is your friend. Default grid for placing most pieces is 8, but it goes down with smaller / more complex models and setups. One special case is matching metal doors to arch with hinges, this needs grid of 2. That's a mistake on my part. I didn't think of better pivot placement until it was too late. The example map contains a "staging area" where you'll find grouped arch, hinges, and doors, so you can use that as a template. As per The Dark Mod license, you may modify this pack's contents, although I'd advise against it. Most textures are compressed in lossy DDS format and compressing them again will result in loss of image quality. If you want to make changes, need alternative versions of a model or material contact me first. I'll see what I can do. Last but not least, I hope you'll find this pack useful and fun to work with, as I had plenty of fun while making it I already have a long list of models and features to include in subsequent releases, but I'm always open to feedback and suggestions. Thanks! Credits: Springheel, Obsttorte, Spooks, nbohr1more, STiFU, Destined and other TDM Forum members: guidance, encouragement, and fruitful discussions Epifire: asset feedback and critique The Black Arrow: inscription texts Plans for upcoming releases: Corridor: - Fixing the wall panel collision model, so strafing along it isn't wobbly Done. - Roof modular set Done. - Making metal door an entity with proper sounds and open/close times. Done, made proper door instead. - Floor switch model/entity for metal doors - Window set Done. Roadmap: All work is on hold for now. I'm working on a small FM that will use some of these assets plus many more. Some of existing assets will get reworked too. All links are taken down, and I have no release date yet, sorry.

This is my loudest mission. I wasn't spotted as much as I was falling back to the undead slayer mindset. The atmosphere is great, no hiccups in sound design either, great voice work too. I loved the fact that you have that OTHER key (and I can't believe it took me this long to notice security key) Since "He doesn't need it anymore". There are only two gripes I've had (aside from bruise ankles from all the drops)... The only survivor doesn't even react that I climbed up to him, I wish we could've left him some food at least. The other being that I couldn't find one more blowtorch, if there wasn't one, then it's about making a choice (which is fine), but if there was I wish I found it. Great map, really imposing. Desert being death trap was great. And I really like the fact that we essentially circle back to where we were on the way out.

As the title says, I made an ebuild for The Dark Mod a while ago, figured I might as well post about it here in case anyone here is using Gentoo (or wants to adapt it for other distributions). The game gets installed system-wide and files are symlinked to the user's home directory whenever the game is started after an update (or for the first time), so the game files are only in one location but also users' save states don't conflict. The ebuild itself is here: https://git.sr.ht/~dblsaiko/ebuilds/tree/master/games-rpg/thedarkmod, and you can install the game by enabling my Portage overlay and then emerging the games-rpg/thedarkmod package: # eselect repository enable 2xsaiko # (alternatively, add the repo using layman) # emerge games-rpg/thedarkmod

The "external argument about exact duration" is not removed with double click. There is a setting in OS preferences for setting double-click speed, is there not? The challenge of setting the exact duration is the same for both long-press and double-click frob. Therefore, the confusion is not removed with double click. I tuned the long-press frob to be somewhere between "unintentional long-press frob" and "it being too sluggish." Early player feedback guided the current default value of 200ms -- it was originally 300ms. During more play testing, if players are having trouble, the default can be increased and tested. We need to follow the data from actual play testing. The player can adjust the tdm_frobhold_delay cvar to their liking as well. It's more likely that a player will hold frob while moving an item, because for most items, nothing different or bad happens. It's less likely that a player will unintentionally double-click frob an item during pick up, because they know that would cause them to drop it. Therefore, players are more likely to discover long-press frob to extinguish than double-click frob to extinguish, which is a good thing. We want the player to discover it (if they didn't read the manual or play the tutorial mission). Also, long-press frob is used in other games, such as Fallout 4. Getting double-click frob to extinguish to work well along with drop item would be troublesome, because there would always be a double-click delay before a single-click drop initiates. Long-press frob does not have a drop issue, because the player can long-press frob until they see the candle extinguish or quick-press frob to instantly drop it. To be clear, long-press frob also "does not change existing controls, only adds new meaning for" a longer frob press. This long-press frob proposal has already been play tested and agreed to be a good control scheme by several players. Double-click frob would need new code written, would need to be play tested, and would need to be fine tuned based on player feedback. Another rewrite of the code would be a distraction and may not bring us closer to the goal of "providing a better experience for new players as well as longtime players," especially since one has already been found and proven: long-press frob. For longtime players who are not satisfied with this new control scheme, "tdm_frobhold_delay 0" restores TDM 2.11 behavior. After 7 months of player research, code experiments, early player feedback, adjustments, rewriting code, and more player feedback, I believe long-press frob is good enough, given all of the compromises, imperfections, and its iterative design. It solves the problems stated in the proposal on the first page, and its design goals are met.

I am not sure is my issue a really bug, but... I post it any way: after git pull and compiling still get 3.8.0.... in About menu however git pulling (and git log) show me switching to 3.9.0 ver in include/version.h: #ifdef HAVE_CONFIG_H #include <config.h> #define RADIANT_VERSION PACKAGE_VERSION #else #define RADIANT_VERSION "3.9.0" #endif but config.h have 3.8.0... which take versions from @CMAKE_PROJECT_VERSION@ which was set to 3.8.0 in CMakeLists.txt so it's looks like CMakeLists.txt was forgotten to update Again! sorry if its false alarm 0:-) P.S. I am on linux

The settings are on the speaker entities contained in the prefabs. Is that not what you meant? If not, could you change your auto-replace tool you showed in this post to print the name of the entity where the replace is happening? I forgot to say which speaker in the desk, but it's in the one for the clock ('ernst_clock_ticking2') I mentioned the speaker for the printing press, it's called speaker_machine_stop (or speaker_machine_stop2) Just open up DR, add those prefabs, click the speaker entities and look at the spawargs, they should be as I describe.